Food choices have come a long way since Pamela started a gluten-free, casein-free diet. In fact, they have come a long way since I blogged my first Thanksgiving menu post which always gets hits this time of year. I am very thankful that we can put on a traditional spread with traditional ingredients missing.
This year, we had a turkey and stuffed it with the cornbread stuffing mentioned in that first post. We have never missed making a favorite in our house, cranberry conserve—delicious on top of the turkey and very yummy mixed with yogurt in the race to gobble leftovers before they go bad.
I continue to experiment with old favorites as new products have come on the market. I have found coconut oil a delicious substitute for butter and shortening, which we used in mashed potatoes and biscuits made from the recipe on the back of a box of Bisquik, which debuted on our menu three years ago. The other wonderful product is Pillsbury's refrigerated dough for pie crusts. What's not to like: convenient and edible for Pamela. [Pillsbury now offers tubs of gluten-free pizza dough and chocolate cookie dough, too!] I still make the pumpkin pie recipe from the back of a can of Libby's pumpkin, double the spice.
We added two new items to the menu this year. Both were a hit. Neither required any substitution. I made maple-bacon roasted pecans for snacking, and they are so addictive! I am heavy-handed with spice, and I will probably increase the spice next time. Our vegetable was roasted asparagus: quick, easy, scrumptious.
Since we did not have time to make a health food store run, I invented with a whipped cream topping for Pamela's pie. I skimmed the layer of fat at top off of a can of coconut milk and put it in the refrigerator to harden. I whipped an egg white into a meringue, adding in a little sugar once the soft peak formed. Then, I folded the egg white into the coconut fat. Pamela loved it!
Our GF/CF Menu
Turkey
Cornbread Stuffing
Cranberry Conserve
Mashed Potatoes
Roasted Asparagus
Biscuits
Maple Bacon Pecans
Pumpkin Pie
Coconut Cream Topping
Little Sides for the Non-Dieters
Toasted Bread with Butter
Whipped Cream for the pie
Friday, November 29, 2013
Monday, November 25, 2013
Making *GOOD* Time on the Road
Nancy Kelly's wonderful advice for rich holiday reading has inspired me to share tidbits for rich holiday travel as well. Pamela and I are making two trips to and from Kansas this season. As the drive is twenty plus hours one way, we include an overnight stop. We also take advantage of inspiring rest stops like Carl Sandburg's home, the house that Manly built, a replica of Little House on the Prairie, the National World War I Museum, Gettysburg, just to name a few. While some stops cost a little and last an hour or two, we never regret making the effort. As one of my friends says, "I like to make good time on the road—emphasis on good!"
Taking time to stretch our legs, our eyes feasted on beauty at the St. Louis Art Museum for nothing more than a voluntary donation. I chose to keep ten dollars for parking underground in my pocket and walk in the bitter cold because of the plentiful free parking. The added bonus was this gorgeous view of the reflecting pool in front of the museum.
While we had planned to visit a couple of dear friends (van Gogh, Monet, Millet, and Winslow Homer), the first painting that captured our attention was this ginormous painting of King Charles I by Dutch artist Daniel Martensz Mytens the Elder. This trip revealed that art is a shared experience, not just with your companion but also with friends from afar. When we spied this commemoration of his coronation, I recalled a conversation with the elementary class at Harvest Community School last week. The students are very much aware that Charles I lost his head, so they were intrigued that Carolina and Charleston are named for his son, Charles II, who managed to keep both head and throne.
Pursuing van Gogh, we came across this version of the madonna and child by Davide Ghirlandaio. The Roman numerals, MCCCLXXXIV, painted on the stairs caught Pamela's eye, and she quickly read the date as 1486. Again, I thought of the elementary students at Harvest because they want to learn Roman numerals since some books number chapters in this manner.
Monet's Water Lilies were gorgeous, and seeing someone notebooking increased my delight as I revel in The Living Page by Laurie Bestvater! We finally found three van Gogh's in a row. Pamela said her favorite is the one to her right, Factories at Clichy. Van Gogh included two tiny figures in front of the factory, hard to spot, but logical when considering how small we are beside the mechanical wonders made by our hands.
While the dancing grapevines in Vineyards at Auvers (shown clearly in this detail) tugged at my heart, my favorite is Stairway at Auvers, a painting which quivers with delight. Again, I am reminded of our school for the primary class adored this painting by the artist they call "Rainbow Man." When I texted a picture of Pamela standing beside the stairway to a friend whose children attend Harvest, her kids were amazed that we saw the masterpiece with our own eyes.
On the way to Millet, we spied greyhounds painted by another realist Gustave Courbet. We had to take a picture for our friend Eman, the ultimate dog lover. We even texted a picture of Pamela and the greyhounds to his mom. The other day, when we were walking with him to pick up lunch, we saw this cute little white dog named Lily. He could not contain his delight and said, "It's a Maltese! I love her!" As she was wearing a brown sweater, I let it flow into an impromptu Spanish lesson with the teen who had joined us. We figured out how to describe the encounter in a second language, "Veo una perrita blanca con un sueter pardo. Su nombre es Lily."
Right next to Knitting Lesson by Jean Francois Millet, we saw Girl with Mandolin by Jean-Baptiste-Camille Corot. Seeing the mother teach her daughter to knit brought to mind the finger-knitting lessons on the porch swing at school. One student taught another, and, before long, the entire elementary class knew how to make scarves and belts. I had to take a picture of the Corot for my friend Leslie adores this artist. I tagged her once I posted the shot on Facebook.
Before reaching our final destination, we met George Washington by Gilbert Stuart, pictured on Pamela's left. Apparently, Stuart cranked out so many of these portraits that he called them hundred dollar bills! Pamela and her class has been reading a short version of his biography in Four Great Americans. How serendipitous to find his portrait on the way to Winslow Homer's The Country School, which brings to mind Understood Betsy, a book that our entire school just finished reading.
I will conclude with this collection of arms and armor from the Middle East and Far East, which remind me of the boys who spend recess imagining themselves as heroes and villains in battles, real, fictional, literary, historical, and invented. Making GOOD time is not about how fast you finish a journey. It is about making good memories, reflecting on past experiences, and sharing your discovery with friends.
We study art for its own sake! However, if you must find a utilitarian reason to visit art museums in this standardized-test-obsessed world, this article might convict you. "Students who, by lottery, were selected to visit the museum on a field trip demonstrated stronger critical thinking skills, displayed higher levels of social tolerance, exhibited greater historical empathy and developed a taste for art museums and cultural institutions."

Taking time to stretch our legs, our eyes feasted on beauty at the St. Louis Art Museum for nothing more than a voluntary donation. I chose to keep ten dollars for parking underground in my pocket and walk in the bitter cold because of the plentiful free parking. The added bonus was this gorgeous view of the reflecting pool in front of the museum.


Pursuing van Gogh, we came across this version of the madonna and child by Davide Ghirlandaio. The Roman numerals, MCCCLXXXIV, painted on the stairs caught Pamela's eye, and she quickly read the date as 1486. Again, I thought of the elementary students at Harvest because they want to learn Roman numerals since some books number chapters in this manner.

Monet's Water Lilies were gorgeous, and seeing someone notebooking increased my delight as I revel in The Living Page by Laurie Bestvater! We finally found three van Gogh's in a row. Pamela said her favorite is the one to her right, Factories at Clichy. Van Gogh included two tiny figures in front of the factory, hard to spot, but logical when considering how small we are beside the mechanical wonders made by our hands.

While the dancing grapevines in Vineyards at Auvers (shown clearly in this detail) tugged at my heart, my favorite is Stairway at Auvers, a painting which quivers with delight. Again, I am reminded of our school for the primary class adored this painting by the artist they call "Rainbow Man." When I texted a picture of Pamela standing beside the stairway to a friend whose children attend Harvest, her kids were amazed that we saw the masterpiece with our own eyes.




Right next to Knitting Lesson by Jean Francois Millet, we saw Girl with Mandolin by Jean-Baptiste-Camille Corot. Seeing the mother teach her daughter to knit brought to mind the finger-knitting lessons on the porch swing at school. One student taught another, and, before long, the entire elementary class knew how to make scarves and belts. I had to take a picture of the Corot for my friend Leslie adores this artist. I tagged her once I posted the shot on Facebook.




I will conclude with this collection of arms and armor from the Middle East and Far East, which remind me of the boys who spend recess imagining themselves as heroes and villains in battles, real, fictional, literary, historical, and invented. Making GOOD time is not about how fast you finish a journey. It is about making good memories, reflecting on past experiences, and sharing your discovery with friends.

We study art for its own sake! However, if you must find a utilitarian reason to visit art museums in this standardized-test-obsessed world, this article might convict you. "Students who, by lottery, were selected to visit the museum on a field trip demonstrated stronger critical thinking skills, displayed higher levels of social tolerance, exhibited greater historical empathy and developed a taste for art museums and cultural institutions."
Friday, November 15, 2013
Where I Host the Charlotte Mason Blog Carnival

Once you have Mason's words firmly in mind, check out Nebby's consideration of Mason's warning about proportion and mathematics, which rings true in our STEM-obsessed society: Why Study Math? Barb McCoy, a veteran homeschooler who has graduated her children, describes in great detail what I mean by STEM-obsessed society in her post, Our Children Have Not Changed, Math Standards Have. The culture, wrapped in its Enlightenment thinking, has forgotten the point of education: "We homeschool to create a better person in our children. We all are not brilliant in math or science or art or whatever subject you can fill in the blank with. We can let our children be the best that they can be without looking at a standardized test score."
Children are born persons, not percentiles!
You may be scratching your head and wondering how math could offer joy and beauty. Read what Amy Marigold, who is starting to see math with her Maker's eyes, shared about her journey with math: "The natural world is filled with numerical and spatial relationships, that man has been discovering for generations. And God put it all there—to create it, to order it, to keep it running."
How does it look teach math in a way that invites children to appreciate its beauty and truth? Mason stated that "Mathematics depend upon the teacher rather than upon the textbook and few subjects are worse taught; chiefly because teachers have seldom time to give the inspiring ideas, what Coleridge calls, the 'Captain' ideas, which should quicken imagination." As Sarah points out in Math Lesson, good teachers like her husband use the textbook as a springboard and supplement with manipulatives when necessary. In Third Grade Math, Laura also offers real-life activities with concrete objects to go with a computer program and a free arithmetic textbook from Mason's time.
Good teachers present living ideas that inspire and engage and consult textbooks for problems.
Some of us in the Charlotte Mason community are exploring what Richele Baburina calls living teaching in her book on mathematics. I encourage you to read it since she had access to a short, but insightful publication that Mason quoted extensively: The Teaching of Mathematics to Young Children by Irene Stephens. Because the pamphlet is copyrighted by none other than His Royal Majesty, King of England, you cannot simply find it on a search engine nor can you find it on eBay. Thus, one cannot digitize it and post it as a free PDF. Richele drove to Harvard Library in researching Stephens' writing for her book. Richele filled in many gaps for me.

Because "education should be a science of proportion, and any one subject that assumes undue importance does so at the expense of other subjects which a child's mind should deal with," I am happy to share posts on other topics dear to this mathematician's heart. Why? As much as I love math, I love other beautiful things in God's creation. No life should be shut out of the living page, poetry, nature, and art!
Notebooking - Notebooking is integral to how Pamela lives and learns. Every time we visit a museum she draws at least one picture of her favorite item. Today, we joined our school away from homeschool, Harvest Community School, on a field trip to the South Carolina State Museum for the Tutankamun: Return of the King exhibit. Because our school follows Mason's principles, the students brought notebooks and sketched their favorite item (or two or three). If you want to learn more about notebooking from a Charlotte Mason perspective, The Living Page by Laurie Bestvater, is a must-have, even if it is the only book you buy for the rest of the year! She is the person who inspired my excitement about notebooking and now we have a whole school of children filling up living pages. For a lengthier review, check out what Dewey's Treehouse has to say about this new and worthy contribution to CM literature.
Poetry - One of the delights of this week was being able to hear every student in the elementary class recite. One young lady blew me away with nearly perfect recall of Joshua 1:6-9, which she memorized during the first two weeks of school! Several children chose "Autumn" by Emily Dickinson, the poem from last week, while one picked "Hope" and another, "If I Can Stop One Heart from Breaking". For an example of students reciting poetry, read Bonnie Buckingham's thousand thoughts blog post. Ann at Harvest Moon by Hand also offers how her daughters react to the intriguing words of Walter de la Mare. You cannot help but long for beautiful words after reading these posts!



A hearty thanks to all contributors which made this carnival blog possible!
Labels:
Book of Centuries,
mathematics,
nature study,
picture study,
poetry
Monday, November 11, 2013
Help for Those Who Hate Math
Last July, I had the pleasure of meeting Richele Baburina, author of Mathematics, An Instrument for Living Teaching, at the Living Education Retreat. Her insights have helped me enormously with a student in the autism spectrum who has declared loudly to us at the school: "I HATE MATH!" "IT'S TOO HARD!" "IT'S BORING!" "YOU JUST WANT TO ME WRITE PAGES AND PAGES OF STUFF!"
I empathize with his views of typical math curricula. As Richele points out in her first blogpost on mathematics, "Though its use in daily life was important, it was the beauty and truth of mathematics, that awakening of a sense of awe in God’s fixed laws of the universe, that afforded its study a rightful place in Charlotte’s curriculum."
Does typical math curricula inspire awe over God's fixed laws of the universe? Does it point to the beauty of mathematics?
When he sees a worksheet full of equations, my young friend shuts down or melts down! As Richele states in her second post on mathematics, such worksheets are not CM-friendly. They are convenient for moms and teachers because they give us a break from individualized instruction.
Rather than haul out workbooks, I assessed his addition facts orally with different manipulatives: dominoes, dice, etc. He seemed to know them, so the headmaster of our school and I assessed him in two-digit addition. Rather than pass out a worksheet, Angie pulled out her 5" x 8" notepad to emphasize the shortness of the lesson! She asked him how many problems he could do. He told her six. So, she gave him a couple of problems that did not require carrying. He made no errors.
When she wrote down one that required carrying, he struggled. Rather than disrupt the flow by pulling out manipulatives, she appealed to his sense of reason. She wrote above the two columns of the problem, tens and ones, and explained that this number is like a house. It has two rooms, the tens room and the ones room. Only numbers that are 9 or less can fit in the room. She asked him where he thought then ten part of 13 should go. He answered, "The tens room. Is that why they do that?" (carry the ten). From that day, he always knew when to carry and when not to carry. That week, he gave correct answers for tricky two-digit addition problems: some with a three-digit answer or with 0 in the ones place of the solution. He sailed through three-digit problems!
His math book offered addition problems with decimals next, so I asked his mother what he understood. Not much. I asked her about his understanding of fractions because they lead to decimals. She stated that he knows the basics, so, this week, I shifted to assessing him in fractions.
My friend bores easily, so variety is the name of the game. Because I am mindful of shared experiences (the joy that comes from collaboration—a challenge for those in the autism spectrum), I seek situations that invite him to work with me. Richele calls this living teaching:
On the first day of our foray into fractions, he explored fraction overlays. To pique his interest, I asked, "Guess what I made!"
"What!"
"I made this basket."
"You did? What's in it?"
"Some fraction overlays.
"What are those?"
"Take them out and see!"
Eman pulled out all of the overlays and made circles with the fraction slices. As he put them away in the way he found them, we talked about the names of the denominators for halves, thirds, fourths, fifths, sixths, eighths, tenths, and twelfths. He knew them all, so I took notes on what he did and what he knew. This task covered more than fractions: taking out and storing the pieces exactly as he found them required fine motor skills and practiced the habits of attentiveness and order. He spent at least twenty minutes doing math and enjoyed it!
Knowing that Eman loathes repetition, I found another hands-on task the next day. I asked, "Guess what the kids in your class are making!"
"I don't know. What?"
"Leonardo da Vinci's parachute."
"Really? Can I try?
"Sure."
"But I want to work outside!"
"We can do that."
We headed outdoors with pencil, ruler, and four pieces of paper. Together we folded each paper in half, drew diagonals, and cut along the diagonals until we had four triangles. We talked about the shapes we noticed (rectangles and triangles). Then, we put them together as shown in the picture and I said, "It reminds me of the fraction overlays from yesterday." He agreed, so I probed.
"It looks like there are pieces missing. How many do you think are missing?"
"Two"
"So, if we had those pieces, what kind of fraction would we have?"
"Sixths."
After that exchange, I began to wonder if boredom might be the culprit. This hands-on, meaningful task revealed a keen understanding of fractions that rows and rows of problems might not have uncovered. Then, we taped the triangles together and I showed him how he could make a tent. I asked, "Do you know what this shape is called?" "A pyramid." Yes, he really is bright.
Eman's mother loved the parachute project and told me that his visual-spatial awareness is keen. The next day, I printed out a model of a dodecahedron. Before we started, we had a little chat about the pentagons. Then, he wanted to know what a ten-sided shape was called and then a twelve-sided shape. I made a grid with twelve squares for him to color to represent each side: 3 red, 3 green, 3 yellow, and 3 blue. My printer was running out of cyan, so only one pentagon was true blue. Eman insisted that the other two were purple, which made for a more interesting problem. While coloring the grid, he said, "I remember doing these in school. I liked it." Then, he wrote fractions for all five colors.
He seemed worried that cutting would be too hard. When asked what he could not do, he said, "The black lines."
"I can cut the white tabs. What can you do?"
"The colored ones."
We took turns cutting, and then he folded all the sides without any help. Then, we took turns taping it all together. When finished, he just had to roll the dodecahedron like a dice!

To avoid boring him, I chose six red and six blue buttons the next day. Eman had to sort them by color, size, and number of button holes and make fraction grids. After doing the color count, he told me he wanted to try his own problem. He insisted.
I asked for a topic. He chose cats and dogs, and I selected a much more challenging problem: conduct a survey about liking cats or dogs. When Eman had a hard time choosing cats or dogs, he created a new category: both. He polled students, teachers, parents, and even the ladies painting the new elementary classroom. He interviewed 27 people and checked their preferences. He asked how to spell their names and wrote them down! This math problem encouraged writing, communication, social interaction, attentiveness, and patience (we had to wait for kids in the primary class to come out for bathroom breaks and lunch). Moreover, this problem inspired Eman beyond the length of a typical math lesson.
I made a printout to show his data and apply equivalent fractions. Tasks were picking a color scheme, coloring a grid that had bars the same size as labels for him to convert thirtieths to fifths, and making a bar graph as well as a pie chart in both denominations of fractions.
Because of the trust we have built, his first reaction was not complaining about it being too hard. He studied it for few seconds and asked, "Did you make this?"
"Yes. I did. I learned how to make these in college."
"Really?"
He enjoyed picking out the color scheme, counting up the responses, and coloring in the grid. At one point, he told me, "I like this!" He figured out the fraction in thirtieths and had no problem seeing that 6/30 was the same as one bar and that he needed three brown bars to make 18/30. He has not fussed about math in over a week.
Tomorrow, we will make the connection to fifths, color the bar graph, and make the pie charts. In time, I hope he will learn to love math for its sake because he has encountered enough inspiring ideas to endure the repetition required to learn those facts that must be learned.
Education should be a science of proportion, and any one subject that assumes undue importance does so at the expense of other subjects which a child's mind should deal with. ~ Charlotte Mason (page 231)
Mathematics depend upon the teacher rather than upon the text-book and few subjects are worse taught; chiefly because teachers have seldom time to give the inspiring ideas, what Coleridge calls, the 'Captain' ideas, which should quicken imagination. ~ Charlotte Mason (page 233)
I empathize with his views of typical math curricula. As Richele points out in her first blogpost on mathematics, "Though its use in daily life was important, it was the beauty and truth of mathematics, that awakening of a sense of awe in God’s fixed laws of the universe, that afforded its study a rightful place in Charlotte’s curriculum."
Does typical math curricula inspire awe over God's fixed laws of the universe? Does it point to the beauty of mathematics?
Rather than haul out workbooks, I assessed his addition facts orally with different manipulatives: dominoes, dice, etc. He seemed to know them, so the headmaster of our school and I assessed him in two-digit addition. Rather than pass out a worksheet, Angie pulled out her 5" x 8" notepad to emphasize the shortness of the lesson! She asked him how many problems he could do. He told her six. So, she gave him a couple of problems that did not require carrying. He made no errors.

His math book offered addition problems with decimals next, so I asked his mother what he understood. Not much. I asked her about his understanding of fractions because they lead to decimals. She stated that he knows the basics, so, this week, I shifted to assessing him in fractions.
My friend bores easily, so variety is the name of the game. Because I am mindful of shared experiences (the joy that comes from collaboration—a challenge for those in the autism spectrum), I seek situations that invite him to work with me. Richele calls this living teaching:
- Teach math concepts in a hands-on, life-related way that assures understanding.
- Encourage daily mental effort from your students with oral work.
- Cultivate and reinforce good habits in your math lessons.
- Awaken a sense of awe in God’s fixed laws of the universe.

"What!"
"I made this basket."
"You did? What's in it?"
"Some fraction overlays.
"What are those?"
"Take them out and see!"
Eman pulled out all of the overlays and made circles with the fraction slices. As he put them away in the way he found them, we talked about the names of the denominators for halves, thirds, fourths, fifths, sixths, eighths, tenths, and twelfths. He knew them all, so I took notes on what he did and what he knew. This task covered more than fractions: taking out and storing the pieces exactly as he found them required fine motor skills and practiced the habits of attentiveness and order. He spent at least twenty minutes doing math and enjoyed it!

"I don't know. What?"
"Leonardo da Vinci's parachute."
"Really? Can I try?
"Sure."
"But I want to work outside!"
"We can do that."
We headed outdoors with pencil, ruler, and four pieces of paper. Together we folded each paper in half, drew diagonals, and cut along the diagonals until we had four triangles. We talked about the shapes we noticed (rectangles and triangles). Then, we put them together as shown in the picture and I said, "It reminds me of the fraction overlays from yesterday." He agreed, so I probed.
"It looks like there are pieces missing. How many do you think are missing?"
"Two"
"So, if we had those pieces, what kind of fraction would we have?"
"Sixths."
After that exchange, I began to wonder if boredom might be the culprit. This hands-on, meaningful task revealed a keen understanding of fractions that rows and rows of problems might not have uncovered. Then, we taped the triangles together and I showed him how he could make a tent. I asked, "Do you know what this shape is called?" "A pyramid." Yes, he really is bright.


He seemed worried that cutting would be too hard. When asked what he could not do, he said, "The black lines."
"I can cut the white tabs. What can you do?"
"The colored ones."
We took turns cutting, and then he folded all the sides without any help. Then, we took turns taping it all together. When finished, he just had to roll the dodecahedron like a dice!






"Yes. I did. I learned how to make these in college."
"Really?"
He enjoyed picking out the color scheme, counting up the responses, and coloring in the grid. At one point, he told me, "I like this!" He figured out the fraction in thirtieths and had no problem seeing that 6/30 was the same as one bar and that he needed three brown bars to make 18/30. He has not fussed about math in over a week.

Education should be a science of proportion, and any one subject that assumes undue importance does so at the expense of other subjects which a child's mind should deal with. ~ Charlotte Mason (page 231)
Mathematics depend upon the teacher rather than upon the text-book and few subjects are worse taught; chiefly because teachers have seldom time to give the inspiring ideas, what Coleridge calls, the 'Captain' ideas, which should quicken imagination. ~ Charlotte Mason (page 233)
Monday, October 14, 2013
Science for Students in the Autism Spectrum
Temple Grandin worries that schools do not value of hands-on learning. In a recent blog, she wrote, "One of the worst things the schools did was taking out the hands-on classes such as art, music, sewing, woodshop and auto mechanics." Art gave her something to look forward to doing at school every day: "My ability in art was always encouraged, and both my mother and my teachers encouraged me to draw and paint many different things. I loved getting recognition for several of my best elementary school art projects."
We are blessed to have part-time and full-time students in the autism spectrum at our school. I think Grandin might like our approach to science and art by the scenic trail of nature study. The primary and elementary classes are reading Minn of the Mississippi by Holling C. Hollings. To help them feel the "realness" of the story, I shared pictures of my family's visit to the headwaters of the Mississippi at Itasca State Park about ten years ago.

Some autistic students develop the habit of frustration for a variety of reasons. It takes time to help them find joy in learning what is beyond their pet interests. Every person is different, so what works for one autie may not inspire another.
Eman is teaching me so much. He often refuses to try because either "it's too hard" or "he's bored." He does not enjoy keeping a nature notebook until he finds something that delights him, in which case he begs to draw. One day when he was dragging his feet, I let him tape pictures to a page and narrate what I should write. Novelty is a big hook for him, and being able to use double-sided tape for the first time made a few notebooking experiences positive. When that novelty wore off, I tapped into a positive episodic memory of last year when he joined us for the turtle release party. I showed him pictures of those very turtles: the cage my friend constructed to protect them from crows, the nest, the hatchlings, and the dud.
When the classroom after lunch was too much for him, we switched to reading Minn in the morning. We focused on finding joy in his tasks. When he wanted to draw a story about Minn in his silly notebook (comic strip things that make him laugh), I encouraged him to start an unsilly notebook (comic strip things related to what he is learning). When he asked to read outside on a sunny day, I agreed if he promised to do his best on the notebook. And, he did! One day, he drew seven different scenes representing the most emotional moments of Minn's life: her hatching, getting her leg shot off, her canoe ride, meeting the fox, scaring the boys in the pond, laying eggs, and snapping at the dog's tail.
Right now, working on the pond gives him joy. Watching what happens when we turn on the water pump that pushes water through our homemade water filter is exciting. We stand at the little pool and watch it with anticipation until the water reaches the top of the stones and forms a waterfall. One day, the filter overflowed and he watched the headmaster solve the problem. Somehow, cleaning leaves out of the pond gets him to thinking about turtles. Before long, he is ready to read more about Minn's adventures, draw it in his unsilly notebook, and read it to his mother.
On another day, a cockroach caught his eye. He was shocked when I shared my plans to draw it in my nature notebook. "You keep one, too?" He was so interested in seeing mine that I promised he could look through it once he had finished making an entry in his.
At another time, two doves enchanted us with a stroll around the little pool to get a sip of water.
Speaking of problem-solving, Grandin spotlighted another value of hands-on projects: "Practical things do not always work right and people skilled in the real world learn how to improvise. When I made a mistake on a sewing project, I was sometimes able to fix it and other times I could not. Mistakes I made cutting the fabric wrong on a sewing project taught me that I had to slow down. I had to be more careful before I cut the material."
One day, he helped his class with the compost bin. The lesson screeched to a halt when they discovered worms. He watched the students find grubs and toss them into the pond to feed the fish. Two weeks later, his cat showed up at school. He decided to see if she would eat a worm and he knew exactly where to find them. The cat did not!
And, then, there was the day he found the dead fish. Eman studied it in the net for quite some time. He wanted to touch it but was afraid he might get cut. So, I offered to do it first. A bit grossed out, I put my finger on it for only an instant. "No, you need to do it longer!" So, I held my finger on the squishy fish and it must have been long enough. He mustered his courage and touched it himself.
Mason's thoughts in connection to literary books like Minn of the Mississippi: "The approach to science as to other subjects should be more or less literary, that the principles which underlie science are at the same time so simple, so profound and so far-reaching that the due setting forth of these provokes what is almost an emotional response" (Pages 218-219).
Mason's thoughts in connection to outdoor work: "They are expected to do a great deal of out-of-door work... They keep records and drawings in a Nature Note Book and make special studies of their own for the particular season with drawings and notes" (Page 219).
Mason's thoughts on nature notebooks: "The nature note book is very catholic and finds room for the stars in their courses and for, say, the fossil anemone found on the beach at Whitby. Certainly these note books do a good deal to bring science within the range of common thought and experience; we are anxious not to make science a utilitarian subject" (Page 223).



Some autistic students develop the habit of frustration for a variety of reasons. It takes time to help them find joy in learning what is beyond their pet interests. Every person is different, so what works for one autie may not inspire another.
Eman is teaching me so much. He often refuses to try because either "it's too hard" or "he's bored." He does not enjoy keeping a nature notebook until he finds something that delights him, in which case he begs to draw. One day when he was dragging his feet, I let him tape pictures to a page and narrate what I should write. Novelty is a big hook for him, and being able to use double-sided tape for the first time made a few notebooking experiences positive. When that novelty wore off, I tapped into a positive episodic memory of last year when he joined us for the turtle release party. I showed him pictures of those very turtles: the cage my friend constructed to protect them from crows, the nest, the hatchlings, and the dud.

When the classroom after lunch was too much for him, we switched to reading Minn in the morning. We focused on finding joy in his tasks. When he wanted to draw a story about Minn in his silly notebook (comic strip things that make him laugh), I encouraged him to start an unsilly notebook (comic strip things related to what he is learning). When he asked to read outside on a sunny day, I agreed if he promised to do his best on the notebook. And, he did! One day, he drew seven different scenes representing the most emotional moments of Minn's life: her hatching, getting her leg shot off, her canoe ride, meeting the fox, scaring the boys in the pond, laying eggs, and snapping at the dog's tail.
Right now, working on the pond gives him joy. Watching what happens when we turn on the water pump that pushes water through our homemade water filter is exciting. We stand at the little pool and watch it with anticipation until the water reaches the top of the stones and forms a waterfall. One day, the filter overflowed and he watched the headmaster solve the problem. Somehow, cleaning leaves out of the pond gets him to thinking about turtles. Before long, he is ready to read more about Minn's adventures, draw it in his unsilly notebook, and read it to his mother.

At another time, two doves enchanted us with a stroll around the little pool to get a sip of water.

Speaking of problem-solving, Grandin spotlighted another value of hands-on projects: "Practical things do not always work right and people skilled in the real world learn how to improvise. When I made a mistake on a sewing project, I was sometimes able to fix it and other times I could not. Mistakes I made cutting the fabric wrong on a sewing project taught me that I had to slow down. I had to be more careful before I cut the material."

And, then, there was the day he found the dead fish. Eman studied it in the net for quite some time. He wanted to touch it but was afraid he might get cut. So, I offered to do it first. A bit grossed out, I put my finger on it for only an instant. "No, you need to do it longer!" So, I held my finger on the squishy fish and it must have been long enough. He mustered his courage and touched it himself.

Mason's thoughts in connection to literary books like Minn of the Mississippi: "The approach to science as to other subjects should be more or less literary, that the principles which underlie science are at the same time so simple, so profound and so far-reaching that the due setting forth of these provokes what is almost an emotional response" (Pages 218-219).
Mason's thoughts in connection to outdoor work: "They are expected to do a great deal of out-of-door work... They keep records and drawings in a Nature Note Book and make special studies of their own for the particular season with drawings and notes" (Page 219).
Mason's thoughts on nature notebooks: "The nature note book is very catholic and finds room for the stars in their courses and for, say, the fossil anemone found on the beach at Whitby. Certainly these note books do a good deal to bring science within the range of common thought and experience; we are anxious not to make science a utilitarian subject" (Page 223).
Monday, September 16, 2013
Teaching a Second Language if You Don't Already Have One Yourself
I have not blogged our work in Spanish lately, and this week's Charlotte Mason Blog Carnival topic is a great time to do so!
Before I share what I believe was Mason's thinking near the end of her life, I would like to share what you should try first: get a head start in learning a second language before beginning lessons with your children. Knowing a year's worth of language develops confidence, prevents mistakes, and helps you become a better guide. Spend six months developing your ear for that language. What helped me was (1) listening to children's audio books in Spanish that I have featured in earlier posts, (2) the Learnables Level 1, (3) Spanish nursery songs and rhymes, and (4) stories written and recorded by my husband who is bilingual (you could hire a tutor to do this for you).
After six months, find more complicated audio books and songs and try the dull, but useful Basic Structures Level 1. Another very frustrating, but helpful, approach you can try AFTER you have worked on your ear for six months is duolingo. This free, online-course will show you why the ear-first approach is superior for you will quickly see how taxing a non-developmental system can be: learning to hear, speak, read, and type in Spanish is exhausting, and I do not recommend it for your students! I repeat duolingo could easily kill any spark of interest in learning a second language! While I do not care for the software's style of teaching, the price is right (free) and you can grind away at grammar, albeit unpleasantly.
People new to Mason tend to latch onto Gouin's work because she raved about his method in her first volume. While I am thankful Cherrydale Press has published audio and written files that apply his approach in our modern world, I do not believe their offering stands alone. Why? First, Mason did not mention Gouin in her last volume (pages 211-212):
Did Mason recommend Gouin for the earliest grade (Form IB)? She used Hachette's Illustrated French Primer, which does not contain any series. Mason recommended to teach words orally based upon pictures from the book. In Form IA, students were ready to see words in print. Teachers read aloud and students narrated passages from Le Livre Rouge by Effie Magee and French Fables in Action.
So, what about Gouin? I believe that Mason gleaned two important ideas from him: (1) build the ear first and then apply Mason's developmental method for language arts to learning a second language and (2) find a context where the words live to foster meaning: songs, rhymes, stories, plays, games, and even series.
I have turned to Partington's article for ideas in teaching Spanish at Harvest Community School. Every morning, I spend ten to fifteen minutes on an interactive, conversational lesson with teachers and students. I have not found the need to spark interest because after the first few lessons everyone warmed up to Spanish. They enjoy learning new words. One of their favorite lessons was when Señor Glaser came to school, and they got to ask him to say whatever word they suggested in Spanish! I decided not to drill phonetics because Spanish is not as difficult as French or German. Two children can roll their r's, and I will encourage them to show their friends how!
Partington wrote,
Partington wrote,
Partington wrote,
At the end of the article, Partington discusses spelling. If a teacher or child wants to know how to spell a word, I will show them. So far, none have asked. Once they can follow and understand the audio version of the two stories above, I will make the texts available for anyone to read.
I think the first thirteen lessons have gone well, but the real assessment of what they are learning will come during the term finale when we will find out what individual children can understand and say.
Before I share what I believe was Mason's thinking near the end of her life, I would like to share what you should try first: get a head start in learning a second language before beginning lessons with your children. Knowing a year's worth of language develops confidence, prevents mistakes, and helps you become a better guide. Spend six months developing your ear for that language. What helped me was (1) listening to children's audio books in Spanish that I have featured in earlier posts, (2) the Learnables Level 1, (3) Spanish nursery songs and rhymes, and (4) stories written and recorded by my husband who is bilingual (you could hire a tutor to do this for you).
After six months, find more complicated audio books and songs and try the dull, but useful Basic Structures Level 1. Another very frustrating, but helpful, approach you can try AFTER you have worked on your ear for six months is duolingo. This free, online-course will show you why the ear-first approach is superior for you will quickly see how taxing a non-developmental system can be: learning to hear, speak, read, and type in Spanish is exhausting, and I do not recommend it for your students! I repeat duolingo could easily kill any spark of interest in learning a second language! While I do not care for the software's style of teaching, the price is right (free) and you can grind away at grammar, albeit unpleasantly.
People new to Mason tend to latch onto Gouin's work because she raved about his method in her first volume. While I am thankful Cherrydale Press has published audio and written files that apply his approach in our modern world, I do not believe their offering stands alone. Why? First, Mason did not mention Gouin in her last volume (pages 211-212):
Children in Form IIB have easy French Lessons with pictures which they describe, but in IIA while still engaged on the Primary French Course children begin to use the method which is as full of promise in the teaching of languages as in English, that is, they are expected to narrate the sentence or paragraph which has been read to them. Young children find little difficulty in using French vocables, but at this stage the teacher should with the children's help translate the little passage which is to be narrated, them re-read it in French and require the children to narrate it. This they do after a time surprisingly well, and the act of narrating gives them some command of French phrases as far as they go, much more so than if they learnt the little passage off by heart. They learn French songs in both divisions and act French Fables (by Violet Partington) in Form IIA. This method of closely attentive reading of the text followed by narration is continued in each of the Forms.Mason does not even mention what she is doing for the early forms! Moreover, the Primary French Course by Otto Siepmann and French Fables in Action by Violet Partington are not based on Gouin's work. All is not lost! While the six volumes present Mason's theories, Parents' Review articles and programmes reveal what she did in practice. To find out what she did in Forms IB and IA (first through third grades), check out the programme for that form in 1922. To glean insight on what might have informed her change in direction, read Violet Partington's article on teaching French.
Did Mason recommend Gouin for the earliest grade (Form IB)? She used Hachette's Illustrated French Primer, which does not contain any series. Mason recommended to teach words orally based upon pictures from the book. In Form IA, students were ready to see words in print. Teachers read aloud and students narrated passages from Le Livre Rouge by Effie Magee and French Fables in Action.
So, what about Gouin? I believe that Mason gleaned two important ideas from him: (1) build the ear first and then apply Mason's developmental method for language arts to learning a second language and (2) find a context where the words live to foster meaning: songs, rhymes, stories, plays, games, and even series.
I have turned to Partington's article for ideas in teaching Spanish at Harvest Community School. Every morning, I spend ten to fifteen minutes on an interactive, conversational lesson with teachers and students. I have not found the need to spark interest because after the first few lessons everyone warmed up to Spanish. They enjoy learning new words. One of their favorite lessons was when Señor Glaser came to school, and they got to ask him to say whatever word they suggested in Spanish! I decided not to drill phonetics because Spanish is not as difficult as French or German. Two children can roll their r's, and I will encourage them to show their friends how!
Partington wrote,
What better way could there be of teaching a child a living language than by letting it live that language for the time being? Therefore, find out what are the children's favorite games and favorite amusements, and as far as possible, turn these into French, and above all let the children themselves help you do it.The students have learned how to play "Duck, Duck, Goose" ("Pato, pato, ganso") and "Red Light, Green Light" (Luz roja, luz verde") at recess. I plan to teach them all the words in Word Bingo in Spanish to build vocabulary for common objects.
Partington wrote,
Memorizing of little pieces of poetry, nursery rhymes, riddles, etc., all these are helpful, too, in swelling the stock of everyday phrases and expressions which will come in so useful in the little "play building" lessons. And if the teacher is at all musical, what a delightful resource there is in the teaching of French songs and singing games.Everyone loves "El chocolate" by José-Luis Orozco, and they are now learning his "Diez deditos." Both songs foster counting to ten. I plan to continue teaching songs and rhymes from his albums "Diez deditos" and "De colores" this year.
Partington wrote,
At Queens' College School, Harley Street, London, we started last year a French games and conversation class, which is held twice a week, and which is conducted entirely on the lines suggested above. The results have been most gratifying and encouraging.Right now, our class has a conversational tone. We are working on greetings, simple conversations, counting, colors, etc. I am building their vocabulary with an eye toward being able to understand "Oso pardo, oso pardo, qué ves ah�" by Bill Martin, Jr., available as a board book and audio CD. We might even learn lines to act out the story, "La gallinita roja" ("The Little Red Hen").
At the end of the article, Partington discusses spelling. If a teacher or child wants to know how to spell a word, I will show them. So far, none have asked. Once they can follow and understand the audio version of the two stories above, I will make the texts available for anyone to read.
I think the first thirteen lessons have gone well, but the real assessment of what they are learning will come during the term finale when we will find out what individual children can understand and say.
Saturday, September 14, 2013
Experiencing the Fuller Life





Friday the 13th was delightful! While chatting with a parent dropping off her child, we spotted two hummingbirds seeking nectar from a can of bug spray with a bright orange cap. (Note to self, we need a hummingbird feeder!)

Friday is The Feast, a day in which homeschoolers join us for the whole day if they choose to do so. Pamela joins the elementary class in reading two science books that they only read once a week. She is familiar with one book (Project UltraSwan) but has never read the other book (The Wright Brothers). In this photo taken last week, you can see by the expression on Pamela's face how much she enjoys the class.
Yesterday, after the morning meeting (prayer, pledge, hymn, and Spanish), the elementary students headed to the reading room. Angie walked in and saw Pamela—all smiles—sitting in the teacher's chair. Having observed Pamela and I co-read books, Angie suspected that Pamela wanted to see the text. So, she sat in the chair next to Pamela. Angie was thrilled to see how Pamela felt like she belonged. First, every time, Pamela was asked if she wanted to narrate, Pamela said, "Yes," and then narrated. Sometimes, when other students were narrating, Pamela shifted her attention to the speaker! She smiled and stayed engaged the whole time (about a half hour). Finally, when Angie started reading the unfamiliar book, Pamela leaned in to see the book. Angie and I were so excited for Pamela to take so much delight in learning, side by side, with her academic peers!


We returned to the school for lunch, and the afternoon was so hectic that I neglected Pamela. The homeschoolers joined us at this point for readings about Egypt (Seeker of Knowledge, Voices of Egypt, and Tutankhamun), a van Gogh picture study, wool felt sewing, living science (projects about flight), and Shakespeare. In time, I hope to fold Pamela in once we figure out our rhythm and everything flows well.
A couple of lovely moments happened yesterday afternoon.
I watched one of our auties marvel over van Gogh's Village Street and Steps in Auvers. He kept staring at it, running his fingers over the brushstrokes, narrating the vivid colors and objects in the painting. The eyes of this boy, who has the same kind of word retrieval issues as Pamela, sparkled with delight as he gazed at the masterpiece.
Before I began reading aloud to the elementary class, one of the students recalled a discussion we had had about how to remember what they read more clearly. He said, "Remember we need to narrate from the beginning of the passage to the end, and not just jump around." In the past three weeks, we have seen greater mindfulness and improved attention.
Shakespeare's Henry V was a blast. Since Act I, Scene I, has only two actors, I broke up the reading into five pages, two students per page. I gave more experienced readers the role of the Archbishop of Canterbury. To help the viewers tell them apart, I made a tall archbishop hat with double horizontal bars on the cross while the bishop wore a shorter hat and a single bar on the cross.


The past three weeks brings to mind this quote from Charlotte Mason. You can read some thoughtful ideas about one mom's take on this passage here.
Every new power, whether mechanical or spiritual, requires adjustment before it can be used to the full... to perceive that there is much which we ought to do and not to know exactly what it is, nor how to do it, does not add to the pleasure of life or to ease in living. We become worried, restless, anxious; and in the transition stage between the development of this new power and the adjustment which comes with time and experience, the fuller life, which is certainly ours, fails to make us either happier or more useful.
Labels:
atmosphere,
attention,
habit training,
imagination,
life skills,
living books,
Santee NWR,
Shakespeare
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